Scott Sunderland, Leslie Howard and Wendy Hiller as Colonel Pickering, Henry Higgins and Eliza Doolittle in Pygmalion (1938).
Pygmalion review from 1938
Asquith is a dab hand at adaptations from the theatre, and knows when to leave something alone and when to zhuzz it up a bit — see his The Importance of Being Earnest. Wilfrid Lawson plays her grasping but philosophical father with a roguish gleam in his eye, David Tree is perfect as the silly posh chap who falls for the refined Eliza. Shaw was an Irishman and his play examines and gently satirises the codes of the British class system. In doing so he poses himself a question as the film progresses. If you want admission, pay the entry fee!
Eliza must work and work hard to enact this transformation. He prides himself on pinpointing the sources of accents and dialects and is a self-absorbed, arrogant eccentric and internationally renowned expert with an acerbic and incisive wit. During the initial exchange, which introduces Higgins to a great admirer of his, Colonel George Pickering Scott Sutherland , Eliza overhears the bragging Higgins tell Sutherland that he could transform her, this lowly flower girl, into a duchess. Higgins then tosses some coins to Eliza and walks off with Sutherland. She has money in her pocket and intends to convince the professor to teach her enough proper English, so as to enable her to get a job as a flower girl in an actual shop. That is her ambition. Higgins quickly gets his own, grander ideas. He wagers with Sutherland that he can pass her off as a duchess at an ambassadorial reception within three to six months, dependent upon her work ethic. Eliza is bullied into acceptance. Her own father virtually sells her to Higgins, and that is that. The film uses montages, innovative in its time, to show this process. There is a rather hilarious reveal of their work when Eliza attends a tea party and, with a near perfect proper accent, makes inappropriate small talk in street slang. The disconnect between delivery and content is very amusing. After the rather botched tea party, Higgins and Eliza work some more and still some more — montage after montage — until she is ready for the big reveal. Is she now Cinderella? Can she pass as a duchess at the Transylvania ambassadorial ball? Yes, yes, she can. Eliza is irrevocably isolated from her roots, scared.
Sometimes, the actors were delivering their lines so fast that I had a hard time understanding what they were saying. For example, I think that the film needed to spend more time developing the relationship between Eliza and Higgins. The film never once portrayed him as being anything but abrupt, short-tempered, and often downright cruel to her. He treated her as a living doll that he could, at any time, tire of and discard. Had he shown her any modicum of kindness, then I could understand why she might return to him. The film just made her forced training seem far too easy for her. She was even described as a quick student that could learn anything.
The story of Professor Higgins and his pupil Eliza has become so well-known during the past hundred years that it barely requires an introduction. But just to be on the safe side, the film begins as one Colonel Pickering, returning to England, comes across Professor Henry Higgins an expert in dialects and phonetic variations as the latter is taking notes on the speech of a flower girl. The two fast become friends, and enter a bet that Higgins could teach the cockney-speaking girl to pass for a well-bred lady, just by teaching her manners and good pronunciation. This he sets out to do with great determination. The film for the most part stays very close to the original play.
Кинодневник. "Пигмалион"
For Berkeley Square, this in 1934, Howard received his first Oscar nomination, and, in 1938, a second for Pygmalion, both unsuccessful. If he had already, pre-Pygmalion, proven himself to be no slouch, Wendy Hiller, Oscar-nominated for her role as Eliza, would shine equally well in her second screen appearance—and throughout a distinguished film career that would include another Shaw play, Major Barbara. Reflecting the small, often tightly knit and overlapping world of filmdom, the cinematographer of Pygmalion, Harry Stradling, would, twenty-five years later, win an Oscar for photographing My Fair Lady, and his camera man in Pygmalion, Jack Hildyard, would win an Oscar for The Bridge on the River Kwai. Cathleen Nesbitt, Leo Genn and Anthony Quayle appear in uncredited roles, and Patrick Macnee makes his first screen appearance, also uncredited.
French composer Arthur Honegger wrote a rather interesting score, although its effectiveness is diluted by the poor sound. The film begins with a cockney flower girl Hiller wandering through Covent Garden with her wares and coming upon a church as the worshippers are leaving. Professor Henry Higgins Howard has been eavesdropping on the people around him, making phonetic notations in a notepad.
He overhears Eliza and, by her speech, is able to identify where she lives within a few streets. Remember that.
Выдано Федеральной службой по надзору в сфере связи, информационных технологий и массовых коммуникаций. Главный редактор: Кудрявцев И.
Адрес электронной почты редакции: info vesti.
Remember that. Neither could you if you was as poor as me. The man is upstanding enough to accept only five. Pearce Jean Cadell has thoroughly washed Eliza in the tub, with much caterwauling from the girl, and burned her dirty clothes, the metamorphosis begins, with lessons in poise, dance, etiquette and speech, all shown in a lengthy montage. There are plenty more. Her halting speech, exaggerated diction and bizarre tales impress the guests. The snobbish Higgins deems the venture a success, but an invitation to a ball at the Transylvanian embassy will be, he feels, the true test of how much his student has learned from his own brilliant instruction. There are, now, even more concentrated, even severe, lessons—more on poise, curtsying, dancing and the proper address for an archbishop, a cardinal, the Queen and others of the upper crust who will scrutinize her. During the lengthy ball scene, which Shaw especially wrote for the film, Eliza passes muster with the duchess Irene Browne , who wants to know all about this lovely creature.
Asquith is a dab hand at adaptations from the theatre, and knows when to leave something alone and when to zhuzz it up a bit — see his The Importance of Being Earnest. Wilfrid Lawson plays her grasping but philosophical father with a roguish gleam in his eye, David Tree is perfect as the silly posh chap who falls for the refined Eliza. Shaw was an Irishman and his play examines and gently satirises the codes of the British class system. In doing so he poses himself a question as the film progresses. If you want admission, pay the entry fee!
Пигмалион (1938) фильм
Бернард Шоу написал свою пьесу под вдохновением древнегреческого мифа о скульпторе Пигмалионе, который создал статую Галатеи — девушки до того прекрасной, что он влюбился в нее и стал просить Афродиту оживить свое создание. Богиня любви вдохнула жизнь в Галатею, и Пигмалион женился на ней.
Поэтому главный приз Венецианского фестиваля получил фильм Лени Рифеншталь «Олимпия». В то же время, до войны оставался ещё целый год. Поэтому главную премию за Лучшую мужскую роль получил британский актёр Лесли Говард, исполнитель главной роли в фильме "Пигмалион". Фильм выдвигался на премию Оскар по четырём номинациям, но победил только в одной - за лучший сценарий.
Команду сценаристов возглавлял сам Бернард Шоу, по пьесе которого писался сценарий этого фильма. Бернард Шоу впервые участвовал в создании киносценария.
The above-mentioned controversy, it should be pointed out, is not in the tension between a happy versus unhappy ending.
The controversy is rather as to whether she should remain with Higgins or go out in the world and stand on her own two feet. But the romantic movie-making tradition, passed down in the 1920s from Hollywood to British film, prescribes that a dramatic build-up with two opposite-sex characters demands closure where they fall in love, and implicitly live happily ever after. I shall not here go into the details of that ending so as not to spoil it for you entirely.
But both when the play premiered in 1914 and when the film did so in 1938, this word was highly controversial.
Сами уроки сняты очень смешно - Элиза учится разговаривать с камушками во рту. И действительно добивается огромных успехов, покорив светскую публику.
Картина получилась настоящим шедевром. Правда, авторы вырезали все философские диалоги, несмотря на данное Шоу обещание продюсером Паскалем.
Пигмалион (Pygmalion) (1938) – цитаты из фильма
A romantic drama and comedy, Pygmalion provides sharp commentary on classism and the battle between the sexes. "Пигмалион" – это первый спектакль Андрея Курицына в должности главного режиссера театра "НЭТ". Приглашаем вас посмотреть онлайн фильм «Пигмалион» 1938 года, который стал первой экранизацией пьесы Бернарда Шоу.
Latest Content
- Пигмалион (1938) | Улучшенная цветная версия
- Пигмалион (1938) | Улучшенная цветная версия | Подборка из 4 видео
- Films from Long Ago and Far Away
- Watch free online - Pygmalion (1938)
- Пигмалион (1938)
Пигмалион - постеры к фильму
- Movie of the Week: Pygmalion (1938)
- Пигмалион (1938 год) : michael_ky — LiveJournal
- Пигмалион (1938 год) : michael_ky — LiveJournal
- Пигмалион (1938) фильм – смотреть видео онлайн в Моем Мире | Сергей Михатарян
- Пигмалион (фильм, 1938) -
Pygmalion (1938)
The embassy ball is a new sequence, instead of an off-stage incident, and has been worked with suspense, comedy, and fresh dramatic interest. The Dustman is not entirely the towering comic figure he was. His plaintive speech about being the victim of middle-class morality has been retained, naturally; but they lopped him off a trifle at the end. Shaw truly has taught the American filmmakers something. But he must learn, too, not to let his cameras freeze too often upon a static scene. Asquith, based on the play by Mr. Black and white. Running time: 96 minutes.
Because the playwright George Bernard Shaw was also the screenwriter of this version and he knew exactly how to adapt the dialogue of his original play for the film version. As for Wendy Hiller, I honestly think that she could not compete with Audrey Hepburn, even if she was much more natural in several scenes than Audrey. The direction of Anthony Asquith and Leslie Howard who was, of course, also in the leading role was perfect and truthful to the story.
Пигмалион 1938 Трейлер Этот фильм первая экранизация пьесы Бернарда Шоу о превращении вульгарной цветочницы Элизы Дулиттл в изысканную светскую даму под чутким руководством профессора фонетики Генри Хиггинса и полковника Пикеринга. Бернард Шоу написал свою пьесу под вдохновением древнегреческого мифа о скульпторе Пигмалионе, который создал статую Галатеи — девушки до того прекрасной, что он влюбился в нее и стал просить Афродиту оживить свое создание.
Поэтому главный приз Венецианского фестиваля получил фильм Лени Рифеншталь «Олимпия». В то же время, до войны оставался ещё целый год. Поэтому главную премию за Лучшую мужскую роль получил британский актёр Лесли Говард, исполнитель главной роли в фильме "Пигмалион". Фильм выдвигался на премию Оскар по четырём номинациям, но победил только в одной - за лучший сценарий. Команду сценаристов возглавлял сам Бернард Шоу, по пьесе которого писался сценарий этого фильма. Бернард Шоу впервые участвовал в создании киносценария.
Pygmalion (1938)
As for Wendy Hiller, I honestly think that she could not compete with Audrey Hepburn, even if she was much more natural in several scenes than Audrey. The direction of Anthony Asquith and Leslie Howard who was, of course, also in the leading role was perfect and truthful to the story. I consider it one of the best films of the 1930s and it was a huge success at the box-office, in 1938.
Colonel Pickering and Mrs. Higgins are immediately welcoming and respectful towards Eliza, and they both offer a refuge away from the caustic Higgins.
Shaw co-wrote the Academy Award winning script, which was subsequently the basis for the 1956 musical play My Fair Lady and the lavish 1964 Hollywood treatment. The 1938 version may lack the celebratory musical panache, but the astute words speak for themselves. Posted by aceblackblog.
Правда, авторы вырезали все философские диалоги, несмотря на данное Шоу обещание продюсером Паскалем.
Драматург был возмущен, но счастливый конец все равно был запущен и на сцене, и в фильме "Моя прекрасная леди". Липском, Сесил Льюис, Иан Дэлримпл. Номинации за лучший фильм, лучшую мужскую роль Лесли Хауард , лучшую женскую роль Уэнди Хиллер.
Eliza is the bedraggled cabbage leaf gruff Professor Higgins takes into his home, feeds, clothes, batches by proxy, of course , and teaches so that she can pass for a gentlewoman at the embassy ball and thereby win his wager. The picture has rung a few changes on the play. The embassy ball is a new sequence, instead of an off-stage incident, and has been worked with suspense, comedy, and fresh dramatic interest. The Dustman is not entirely the towering comic figure he was. His plaintive speech about being the victim of middle-class morality has been retained, naturally; but they lopped him off a trifle at the end. Shaw truly has taught the American filmmakers something. But he must learn, too, not to let his cameras freeze too often upon a static scene. Asquith, based on the play by Mr.
Скачать "Пигмалион (1938) фильм"
pygmalion 1938 7 During the lengthy ball scene, which Shaw especially wrote for the film, Eliza passes muster with the duchess (Irene Browne), who wants to know all about this lovely creature. Пигмалион — Новости. Pygmalion, 1938. You can get the 1964 My Fair Lady here, the 1938 Pygmalion here, and the original script here.
Фильм Пигмалион смотреть онлайн
Пигмалион 1938 Великобритания (ч/б). Сохранено в «Фильмы» Разное. ГАЛИНА Ласточкина. 772 подписчика. Пигмалион 1938 Великобритания (ч/б). English: Promotional still from the 1938 film Pygmalion, published in National Board of Review Magazine. «Пигмалион» — британский чёрно-белый кинофильм 1938 года, экранизация одноимённой комедии Бернарда Шоу. В главных ролях снялись Уэнди Хиллер и Лесли Говард. Pygmalion (1938), Leslie Howard, Wendy Hiller. Мелодрама, драма, комедия. Режиссер: Энтони Эсквит, Лесли Говард. В ролях: Лесли Говард, Уэнди Хиллер, Уилфрид Лосон и др. Этот фильм первая экранизация пьесы Бернарда Шоу о превращении вульгарной цветочницы Элизы Дулиттл в изысканную светскую даму под чутким.
A blog about movies found at the Internet Archive (archive.org)
- Видео Пигмалион 1938 Великобритания (ч/б)*
- Pygmalion: The 1938 Movie - Excellence in Literature by Janice Campbell
- Pygmalion review from 1938
- Watch free online - Pygmalion (1938)
- Pygmalion review from 1938
- Популярные фильмы и сериалы
Пигмалион (Pygmalion) (1938) – цитаты из фильма
| Pygmalion review from 1938 | британский фильм 1938 года, основанный на одноименной пьесе Джорджа Бернарда Шоу 1913года и адаптированный им для экрана. |
| Пигмалион (1938) | Улучшенная цветная версия 📽️ Топ-4 видео | You can get the 1964 My Fair Lady here, the 1938 Pygmalion here, and the original script here. |
| Pygmalion: The 1938 Movie | Описание фильма PYGMALION (1938), рецензии, интересные факты, награды, информация об актерах и режиссере, обсуждение. |
Pygmalion (1938 film)
Пигмалион (Pygmalion) (1938). — Вы начисто лишены моральных устоев! I use this language specifically because Pygmalion is based on a Greek sculptor that fell in love with one of his statues. Драмы, мелодрамы, комедии. Режиссер: Энтони Эскуит, Лесли Ховард. В ролях: Лесли Ховард, Уэнди Хиллер, Уилфрид Лоусон и др. В проекте «Пигмалион» режиссёры Энтони Эсквит и Лесли Говард были пионерами в экранизировании знаменитой пьесы Бернарда Шоу. By entering your email address you agree to our Terms of Use and Privacy Policy and consent to receive emails from Time Out about news, events, offers and partner promotions. Нет вашей любимой цитаты из "Пигмалион (Pygmalion) (1938)"? Этот фильм первая экранизация пьесы Бернарда Шоу о превращении вульгарной цветочницы Элизы Дулиттл в изысканную светскую даму под чутким руководством професс.